Soundcraft 64-Channel Digital Mixing Console MO

SoundcraftSKU: VI1-64MO

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Soundcraft Vi1 - a compact digital console + system stage rack in a single package. It has 32 analog inputs, managed 16 faders, mixed to the 27 analog outputs 10 faders. Also, 6 digital inputs, 4 stereo FX return and 6 digital outputs. Standard 38 input channels can be expanded to 64 by adding optional stage switching unit. Inputs: Each input has Analog Gain, Digital Trim, Delay, HPF, LPF, quad parametric EQ, compressor, limiter, gate or de-essor, Pan - LR or LCR switchable. Outputs: Bus 24 Grp / Aux / Matrix, plus the tire basic LCR Mix, on each: HPF, quad parametric EQ, compressor, imiter, delay, graphic EQ. Other characteristics: 4 independent effects processors Lexicon, a 22-inch touch-screen monitor, user interface Vistonics II, FaderGlow - color lights faders depending on the function. Two built-in power supply, the possibility of Stagebox (optional). Features Input / Output: Each of the following I / O can be replaced with the input, direct output, bus output or insert point as required: Inputs: 32 analog mic / line inputs; 2 pairs of AES / EBU inputs (4 channels); 1 pair of coaxial SPDIF (2 channel); Intercom 1 microphone input (mounted on a mixing board). Outputs: 32 analog line outputs; 8 pairs of AES / EBU outputs (16 channels); 2 pairs of AES / EBU outputs (4 channels); 1 pair of coaxial SPDIF (2 channel). Additionally, you can install an expansion card, such as a 64-channel card MADI to add a stage switching unit StageBox or recording (optical or CAT5), 16-channel Aviom card (output), 32-channel CobraNet I / O card, 4 -channel mic-input card with 8-channel line input or output, 16-channel ADAT I / O card.
  • Model Name: Soundcraft Vi1;
  • Device type: Digital console;
  • The number of inputs (maximum): 64;
  • Digital inputs / outputs: yes;
  • The number of effects processors: 4;
  • Number of groups: 24;
  • The number of bands Dynamic EQ: 4;
  • Returns: 0;
  • Direct input: yes;
  • Inputs Matrix: 8.
  • Frequency response: + 0 / -1 dB, 20 Hz - 2 kHz (from the entrance to the exit Mic Line), + 0 / -0.2 dB, 20 Hz - 2 kHz (AES / EBU AES / EBU inputs outputs) ;
  • Total harmonic distortion and noise: 22 Hz - 22 kHz, from the input Mic In (gain min.) Until the Line Out <0,003 percent at 1 kHz, from the input Mic In (gain max.) Before the Line Out <0,020 percent at 1 kHz ;
  • Mic Input EIN: <- 125 dBu (150 ohms), 22 Hz - 22 kHz bandwidth unweighted;
  • Residual Noise: -95 dBu (outputs line output, without the inclusion of inputs, fader position - 0 dB);
  • CMRR: 80 dB at 1 kHz (input Stagebox Mic input);
  • Sampling frequency: 48 kHz;
  • Latency: <2 ms at 48 kHz (by input Mic Stagebox (gain min.) Before the Local Line Out);
  • Sampling frequency AES / EBU Input: 32-108 kHz;
  • Power DSP: 40-bit floating point;
  • The levels of input and output: 2.7 kW (microphone input), is less than 10 ohms (the other inputs), less than 75 ohms (linear output), 110 ohms (outputs AES / EBU);
  • Equalization (inputs and outputs of the bus): 20 Hz - 20 kHz +/- 18 dB, Q = 0,3-8,7 or shelf (HF, mid-high frequencies, mid-bass, bass).

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